Articles and reviews by Marina Harss
Marina Harss is a dance writer and critic, who writes for dance magazines such as DanceTabs and the New York Timer. Among her writings are reviews of Alexei Ratmansky’s reconstruction of The Sleeping Beauty and interviews with Ratmansky and Doug Fullington.
American Ballet Theatre – The Sleeping Beauty review (July 2016)
Q&A with Alexei Ratmansky on The Sleeping Beauty (August 2015)
Interview with Doug Fullington on Stepanov notation (June 2015)
American Ballet Theatre – The Sleeping Beauty review (May 2015)
American Ballet Theatre – Harlequinade review (June 2018)
Reviews of Alexei Ratmansky and Doug Fullington’s reconstruction of Paquita
The New York Times – ‘Paquita’ at the National Theater in Munich (December 2014)
Financial Times – Paquita, Nationaltheater, Munich (January 2015)
bachtrack – Bavarian State Ballet in Ratmansky’s ‘Paquita’ (July 2015)
Reviews and articles of Alexei Ratmansky’s reconstruction of The Sleeping Beauty
The New Yorker – ‘Ratmansky’s Beauty Wakes Up’ by Joan Acocella (June 2015)
Reviews and articles of Alexei Ratmansky’s reconstruction of Swan Lake
Financial Times – ‘”Swan Lake”, Opernhaus Zurich – Triumphant’ by Louise Levene (February 2016)
Reviews and articles of Alexei Ratmansky’s reconstruction of Harlequinade
Playbill – ‘American Ballet Theatre presents newly staged “Harlequinade”‘ (June 2018)